Courses list

Wersja polska

Course code: IAS20095f15
Semester: 2015/2016 summer
Name: Painting in the landscape architecture
Major: Landscape Architecture
Study Type: second cycle
Course type: optional
Study Semester: 3
ECTS points: 4
Hours (Lectures / Tutorials / Other): 30 / 30 / 0
Lecturer: dr Anna Borcz
Language of instruction: Polish
The course only in Polish with possibility of individual support in English. Contact person: dr Anna Borcz

Learning outcomes: The student after completion of the course should know the rules of perspective and color themes in the presentation of elements of the landscape architecture, he should know the techniques of painting and drawing, and practically apply the knowledge of art in his projects.

Competences:

Prerequisites: Preceding subjects: Drawing and sculpture. The scope and contents of the material has been agreed with class conductors Drawing and sculpture.

Course content:  The concept of linear and aerial perspective helpful in arts projects(the theory of Leonardo de Vinci,S.Botticelli).  The characteristics of the sentimental gardens in French and Italian paintings of eighteenth century.  Visit the National Museum - exhibition of landscape painting Neoclassicism and Romantic.  Impressionistic approach of light and color in an open landscape paintings and still life.  The proportion of a sitting and standing figures in the background of the architecture and trees.  Subjective color, distinct from the naturalistic color (E. Nolde, V. van Gogh, P. Gouguin).  Design in the form of mock-up. Cubist approach by P. Cezanne and abstraction in painting.  Composition in drawing and painting. Landscape of the surrealist artists.  Visit the National Museum – Polish painting of the impressionists and colorists (inter alias Wyczółkowski, Podkowiński, Stanisławski).  Expressionist approach to the landscape paintings on the example of E. L. Kirchner, E. Munch, J. Ensor.  Groups of figures in the garden and the park.  Secession referring to the Japanese art in the presenting of plants and water.  Projects of the green architects from the XIX century to the XXI century.  Deformation and realism of the nature forms in the modern painting e.g. G. Grosz, O. Kokoschka, G. Munter.

Recommended literature: Jędryczak T., (pod redakcją). Historia Sztuki – twórcy, nurty, style. Grupa Wydawnicza Bertelsmann Media, Horyzont. Warszawa 2002.  Kowalska B.,. Od impresjonizmu do konceptualizmu. Odkrycia sztuki. Wydawnictwo Arkady. Warszawa 1989.  Paramon J.M. Jak rysować w perspektywie, Galaktyka, Łódź 2003.  Paramon J.M. Jak rysować postacie, Galaktyka, Łódź 1995.  Paramon J.M. Światło i cień, Galaktyka, Łódź 1996.  Pecatorii S., Klasycy sztuki Schiele i ekspresjoniści. Tom 31-36 Wyd. Rzeczpospolita. Warszawa 2008.

Assessment methods: credit classes, examination

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