Courses list

Wersja polska

Course code: IAS10051o12
Semester: 2012/2013 summer
Name: Art history
Major: Landscape Architecture
Study Type: first cycle
Course type: compulsory
Study Semester: 4
ECTS points: 4
Hours (Lectures / Tutorials / Other): 30 / 0 / 0
Lecturer: dr Anna Borcz
Language of instruction: Polish


Learning outcomes: The student after completion of the course should know the epochs and styles in art history . He should be able to recognize the rise time and characteristics of art work on a basic level in the field of painting, sculpture and architecture. He should have the possibility of practical application of acquired knowledge in future design work of landscape architecture elements.

Competences: Recognizing of phenomena and practical usage of art history knowledge.

Prerequisites: Preceding subjects: Drawing and sculpture. The scope and contents of the material has been agreed with subject conductors: Drawing and sculpture.

Course content:  The division into styles and epochs. The characteristics of medieval art.  Renaissance in Italy - the fourteenth and fifteenth century. New rules of perspective. Ideas of the Renaissance in Poland. Examples of secular painting and construction.  Dynamic baroque composition in various fields of art. The term of illusionistic painting in the architecture and allegory as an example of baroque sculpture.  Visit the National Museum. Presentation of the contrasts between the classic and impressionist mainstream on the selected examples of Polish painting.  The first part of the pass test for on art knowledge (period to the XIX century). Introduction to post-impressionism art.  Secession in Poland, Austria and the Czech Republic.  Expressionists in Austria and France in the early XIX century.  Dadaists. Relationships of futurist painting, poetry and sculpture. Cubism.  Fauvists. Decorative art and painting Art-Deco.  Constructivism in Russia and the West theories of Malewicz and Strużewski.  Principles of composition by book of Rudolf Arnheim.The origins of abstraction and Suprematism of Strzeminski.  Visit the National Museum in Wroclaw. Surrealism and post-war art of the matter.  Expressionism in the abstract painting as an example of American artists in the 40 - and 50\'s years. The subsequent era of pop-art.  Op-art. Wrocław art of the 90\'s and 80’s years. Getting familiar with the review language of contemporary art works.

Recommended literature:  Krzysztofowicz – Kozakowska Stefania, Stolt F., Historia malarstwa polskiego, Wyd. Ryszard Kluszczyński, Kraków 2000.  Lloyd Christopher, Historia sztuki. Świat Książki, Warszawa 2008.  Sztuka – Rozpoznawanie stylów, Conti Flavio, Gozzoli Maria, Muza SA, Warszawa1999.  Wrotkowski Jerzy, Dzieła - Style – Epoki, (Architektura, rzeźba, malarstwo, muzyka), Wyd. Jerzy Wronkowski, Gdynia 1994.  Estreicher Karol, Historia sztuki a zarysie. PWN, Warszawa, Kraków 2000  Duchting Hajo, Impresjonizm, seria: To warto wiedzieć o sztuce, Grupa Wyd. Bertelsmann Media, Warszawa 2006.  Jędryczak Tadeusz, (pod red.). Historia Sztuki – twórcy, nurty, style, Grupa Wydawnicza Bertelsmann Media, Horyzont. Warszawa 2002.  Kowalska Bożena, Od impresjonizmu do konceptualizmu.Odkrycia sztuki, Arkady. Warszawa 1989.  Siostra Wendy Beckett, Historia malarstwa , wędrówki po historii sztuki Zachodu, Arkady, wydanie III, 1997.  Hollingsworth Mary, Sztuka w dziejach człowieka, Guiti , Ossolineum, Wrocław 1992.  Pecatorii S., Klasycy sztuki Schiele i ekspresjoniści. Tom 31-36, Wyd. Rzeczpospolita. Warszawa 2008.  Jan Białostocki, Sztuka cenniejsza niż złoto, PWN Warszawa 2002.  Osińska Barbara, Sztuka i czas od klasycyzmu do współczesności, WSiP, Warszawa 2005.

Assessment methods: credit lectures

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